Showing posts with label 55-200 VR DX. Show all posts
Showing posts with label 55-200 VR DX. Show all posts

Thursday, 6 January 2011

Image Stabilisation

Panasonic DMC-L10 Leica D 14-150 f/3.5-5.6 Vario-Elmar Zoom Lens


Anyone spot the deliberate mistake in this picture? Yes the image stabilisation is switched on, when the camera is on a tripod. 


I'm being constantly asked as to how various camera / lens combinations work because there is no image stabilisation (IS) on either. For example using an Olympus m4/3 lens on a Panasonic m4/3 body. There seems to be a belief springing up that it isn't possible to take pictures without some kind of IS system in place. You can buy a Nikon D3X for just under £5000. Add in a 24mm f/1.4 lens at £1650, and maybe a 24-70mm f/2.8 at £1200. You then have a good solid pro outfit. But do you? Since neither the body or lens have any form of stabilisation system, that means they are useless right? Well no of course they aren't.


I don't know why so much emphasis is put on this. These IS, VR and OIS systems are there for one reason only, to make it possible to use slightly lower shutter speeds on certain lenses. The old equation on lenses used to be, the slowest shutter speed to use should match the lenses focal length. So 1/20th sec. for a 20mm lens, 1/50th. sec for a 50mm lens, 1/200th sec for a 200mm lens etc. A good stabilisation system should extend this to something like 1/8th sec for a 20mm lens, 1/15th. sec for a 50mm lens and 1/50th. sec for the 200mm lens.  Some manufacturers claim slower speeds can be used, up to 4 stops, but I've rarely found this to be true. 


So how useful is this? Well reasonably useful if you are handholding a camera and lens in a situation where you are shooting something that doesn't move, unless you are looking to deliberately create blur of cause. 


There's a really good simple article on this at:-
http://www.digital-slr-guide.com/digital-slr-anti-shake.html which explains when its useful and when it isn't, and more importantly when it works against a sharp image, e.g. when the camera is on a tripod, when you are panning.


Photographers haven't always had IS. Cartier-Bresson, Ansel Adams, Richard Avedon et al, all seemed to manage without it. I use it rarely and often have it turned off on the cameras and lenses I have it on.


In normal shooting situations, it just isn't necessary. Some systems can also make a picture less sharp if fast shutter speeds are used. Camera manufacturers have realised that people are often just leaving their IS, VR etc. switched on all the time and have come up with systems that switch it off under certain circumstances. Very slow shutter speeds for example, indicate the camera is on a tripod and the camera will switch off the IS system in that situation.


There's really no substitute for learning to hold a camera steady. Learning to use flash properly and tripods seem to get forgotten or ignored. The best IS system ever invented is a stable tripod, or a fast lens enabling a fast shutter speed.


As with all these technological aids, they are just that, aids. As with most, IS is useful in certain situations and if used when appropriate, can be a help. Is it absolutely essential?, well not for me. Whether a lens has it or not makes little difference to whether I will buy it or not, and it certainly doesn't affect my choice of camera. The Pentax K-5 is the only camera I have with it currently. My Leica M9, and my M-mount lenses have no IS of any kind. Leica users have been managing to take images in low light situations for years without it, and will probably continue to do so in years to come. 


I'm not saying that IS doesn't have it uses, I was for example very impressed with the Sony A55's Super Steady Shot System for video, even though it did lead to overheating. I've also managed some remarkable shots with the Panasonic 14-140mm zoom, 1/15th. sec at 140mm and pin-sharp, so I do use it. It should however be treated for what it is, an option that can help under certain situations.

Monday, 11 January 2010

Snow Fatigue



Too much snow!
Its now gone dull and miserable with the snow turning to slush.
Felt the urge to edit some images from last summer and autumn. Reminded us that warm weather does exist.

Not long to Spring!





panasonic lumix G1 14-45 zoom lens panoramic stitch
Panasonic Lumix G1 14-45 zoom lens panoramic stitch
Nikon D3X
Nikon D3X
panasonic lumix G1 14-45 zoom lens panoramic stitch
Panasonic Lumix G1 14-45 zoom lens panoramic stitch
panasonic lumix G1 14-45 zoom lens panoramic stitch
Panasonic Lumix G1 14-45 zoom lens panoramic stitch
leica m8 zeiss 28mm f2.8 biogon m lens
Leica M8 Zeiss 28mm f2.8 Biogon lens
leica m8 cosina super wide heliar voigtlander 15mm lens
Leica M8 Cosina Super Wide Heliar Voigtlander 15mm lens
leica m8 voigtlander 15mm lens
Leica M8 Cosina Super Wide Heliar Voigtlander 15mm lens
Nikon D3X Panoramic stitch 28-200mm zoom lens
Nikon D3X Panoramic stitch 28-200mm zoom lens
Nikon D3X Panoramic stitch 55-200mm zoom lens
Nikon D3X Panoramic stitch 55-200mm zoom lens

D & A

Sunday, 23 August 2009

Nikon D3X with Nikon AF-S DX Zoom-Nikkor 55-200mm f/4-5.6G ED (2)






I have received some comments expressing surprise as to why I choose to pair such an "expensive" camera with such a "cheap" lens. The implication, I presume, being that D3X owners should be using "top of the range" lenses on "top of the range" cameras.

Firstly there are several reasons why the Nikon AF-S DX Zoom-Nikkor 55-200mm f/4-5.6G ED is "cheap"
1) It is not a fast zoom 2) It uses light plastic materials 3) Its a DX lens 4) Its a "kit" lens & Nikon would expect to sell a lot of them.
All of these factors mean that Nikon can make and sell this lens at much cheaper prices than their faster, heavier, weather-resistant, metal, FX, specialist lenses. They will sell vast numbers of these lenses compared to the moderate to low number of sales of their 70-200mm F2.8 VR lens for example.

Secondly - I don't need a fast, heavy duty zoom lens. Far from it. I had a 70-200 F/2.8 VR zoom for a while & used it very rarely because of the weight. I had one experience of carrying it with a D3 on a very steep coast path which resulted in my near collapse!!

The 55-200 DX is a very sharp lens. I had one before for a D300 & while I thought it was OK the stronger AA filter (compared to the D3X) on that camera blunted its performance somewhat. I had tried it on a D700 & was surprised as to how well it worked.
For my recent week of shooting in Dorset I was looking around for lenses that wouldn't add to much to the already considerable weight of the D3X. I decided on a 35mm F/2 lens & the 55-200 zoom. I didn't have much time to test either but liked what I saw.

I've now been spending the last 2 days editing images from that trip and the images from both lenses are very good indeed. Once I remove the vignetting from the 55-200 the results are superb. In fact they are much better than I was expecting.

So "cheap" doesn't mean "inferior"

On a similar theme. I've owned both Canon 50mm F/1.2 (around £1000) & Canon 50mm F/1.8 (around £80) lenses. From F/5.6 to F/11, the apertures I use the most, there is no significant difference. The price you pay for that F/1.2 aperture is considerable. When I was using a Canon 5D the F/1.2 allowed me to shoot in some pretty dark places at low ISO speeds. Now I have a 5D Mk II with its incredible low light performance the F/1.2 became redundant & the much lighter and smaller F/1.8 is fine.






Friday, 21 August 2009

Poole Harbour with D3X & 55-200 VR DX zoom.






Late evening shots with Nikon D3X fitted with 55-200 VR DX lens.

It may seem perverse to use a DX kit zoom lens with a D3X, but this lens is really to good to miss out on. Its light, has a great zoom range for full frame & has VR included. Being a mid-range telephoto zoom there is less vignetting than on a wide angle zoom. The image quality is excellent and the D3X's sensor shows it to be an excellent lens optically. I used one before on a D300 & D700 & the stronger AA filters on those cameras didn't do it justice.

I use it with the 5x4 crop size selected on the camera. There is still some vignetting but its fixable and still allows me to produce a 58MB file. A very useful lens.